The Juggling Act

By Julie, looking forward to a long weekend writing

Dear Readers, do you like hearing about our writing or publication process? If the answer is no, I am so sorry. You’re not going to love this post. But if the answer is yes, buckle up. I’m appointing you all my accountability partners.

I have two books due this year–one on August 1, one on December 1. I spent January plotting them both.  I set up a schedule. I put my plots in Scrivener, and started on the second book in my Theater Cop series (the one due August 1). I hoped for a pre-Malice finish of the first draft. Missed it by a week, but hit it on Sunday. With A Kiss I Die (working title) is clocking in at 75,000 words so far. I am determined to give both manuscripts time to breath, so I can read them with fresh eyes. Trust me when I say this isn’t my norm, so I am happy I met this first self imposed deadline.

Top binder, A CHRISTMAS PERIL, ready for copy edits final round. Bottom binder, WITH A KISS I DIE, ready for first read before I send it out.

Top binder, A CHRISTMAS PERIL, ready for copy edits final round. Bottom binder, WITH A KISS I DIE, ready for first read before I send it out.

What I neglected to add into the schedule was the arrival of copy edits and proof pages. Both have been done for Chime and Punishment, which will arrive in bookstores on August 1. I got the copy edits for A Christmas Peril, my first Theater Cop book, which will be published September 8. They are due next week, and then the proof pages will come in. According to my schedule, the book that is due December 1 should be started soon so that a draft is done while I am working on With A Kiss I Die (working title) edits.

Then there will be launches of Chime and Peril. Two series, two names, one woman.

How lucky am I that I have the great good fortune of juggling all of this? Very, for sure. Even luckier because Liz (aka Cate Conte), Jessie (aka Jessica and Jessica), Sheila (aka Sheila, but with many series), and Edith (aka Maddie) have been down this path before, and I can learn from them. The imagination part isn’t the difficulty. It is the switching gears to the publication process that makes my head spin.

2017 trading cardThis weekend I will be working on the Theater Cop series, books one and two. Here’s the printed copies. Very soon there will be post its, sheets of paper, and highlighter marks marring both manuscripts.

So, dear readers, this is where I need your help. Would you mind if I keep you up to date on this journey over the summer? Will you help keep me honest? I’ll post updates on Twitter and Instagram, let you see how it is going. Next month I’ll tell you the story of the trading card I created, including the picture of me.

I will send you some updates on Instagram and Twitter, and I’ll check back next month.

Dear readers, should we lay odds? Am I going to keep to my writing schedules? Or am I going to go off the rails and be writing for Thanksgiving?

Romantic Gestures — What Does Your Protagonist Think?

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We are having a “We Love Our Readers” giveaway every Wednesday in February. Leave a comment for a chance to win no later than midnight the Thursday after the post. This week one reader has a chance to win a book from Liz and Edith.

Last week we talked about romance in cozies and this week we focus on how it impacts our protagonist. Is your protagonist a romantic? Is there someone special in her life who is? Has your protagonist created a romantic moment or has the love in her life? Was it a big thing or a little thing? How did it impact them?

Edith: What great questions! How our protagonists react to things like romance is just as called-to-justiceimportant as what she carries in her handbag and what’s in her fridge. I will focus on my midwife Rose Carroll. I built the romance into book one. Despite being a practical independent midwife, she’s a romantic, too, but she’s conflicted about committing to David Dodge because of a painful (highly abusive, actually) experience when she was a teenager. There’s a very romantic scene in Called to Justice (out April 8!) where David takes her in his buggy out to the wide Merrimack River on a full moon night. (“The full moon splashed a silver path from the distant bank across to ours.”) You’ll have to read the book to find out what happens.

custombakedmurderLiz: Stan Connor came to Frog Ledge with a token boyfriend. She’d totally forgotten what it was like to really feel in love or even romance. In fact, she snickered at all the sappy love stories or songs when she heard them and chalked it up to unrealistic people who would eventually find their bubble burst. Then she met Jake McGee. Once she’d lost the loser boyfriend, it took them a couple of books to get things right, but Stan has now turned into one of those people who sighs over love songs, delights in sappy movies, and generally thinks her life is better because of Jake.

Sherry: Sarah has had a rocky romantic life since she is A good Day to BuyCoverrecently divorced in the first book Tagged for Death. In the third book, All Murders Final!, she does go on one romantic date with Seth Anderson to the historic Wayside Inn in Sudbury, Massachusetts. And Sarah does like to be wooed. It was fun to go to the Wayside Inn with the Wickeds in December after our Books and Bagels event in Sudbury. The pictures below are from the Wayside Inn. The one on the left is the tavern.

IcedunderfrontcoverBarb: My amateur sleuth, Julia Snowden, is the product of a great romance–the marriage of a lonely girl who spent her summers on a private island and a local boy who delivered groceries in his skiff. Julia thinks her mother is the romantic and she is the pragmatist. I’m not so sure. Certainly Julia fell into the arms of Chris Durand when he appeared on her family’s tour boat to clear up some misunderstandings and confess his interest in her.

Jessie: There is at least a touch of romance in each of my series. That being said, none of my protagonists are romantics. They are all independent women with a lot WhispersBeyond_Fixgoing on in their lives whether or not they have a romantic partner. None of them are looking for romance; in fact, Gwen Fifield from Live Free or Die and Dani Greene from the Sugar Grove series are more interested in dodging matchmaking efforts by their friends and families.

Julie: Ruth Clagan is recently divorced in Clock Shop Mystery series, so she isn’t looking for romance. That said, Ben the handsome barber from next door is a dish, so there’s that. Her feelings for Ben throw her off a bit. She takes it slow, and finds it hard to trust. But did I mention that he’s handsome? Think Robert Redford in the early 70’s. That handsome. More chimeimportantly, he’s a good guy. That makes all the difference for her.

Readers: Do you have a favorite romantic moment from a book?

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Endless Possibilities

by Julie, confused by 50 degree weather in Somerville

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The Cover for CHIME AND PUNISHMENT–isn’t it great?

At the beginning of the year I had two packs of 3×5 index cards, wrapped in plastic. Both have been opened, and are spread out on my dining room table. Each pack of cards will be a book by the end of the year. January is my plotting month for both projects.

As we’ve mentioned before, and Hallie discussed on Tuesday, there are different ways to start a book. Some of us are pantsers–write by the seat of your pants. I am a plotter. I plan the entire book, figure out the dramatic structure, add subplots, figure out twists and turns, and then I start writing. (For a great method of plotting, read Paula Munier’s PLOT PERFECT.)

My index cards become my roadmap. After I rough out a plot, I make notes about who is in each scene, where it takes place. I shuffle the cards–should the body be found that early? Should I make him a suspect? How does she get from here to there so quickly–let’s add another scene. How can I add to the drama? Should I have a subplot about the blue shoe? All of these ideas swirl around, and are possibilities. I think, shuffle, add, combine, separate, shuffle again until it all makes sense.

I love the blank card phase of my book. The possibilities are endless, and the plotting is intense. This doesn’t mean that there won’t be changes–but it does mean that I’ve thought it through enough that I’ve worked out the places where I might get stuck later on. This is the way I think, and create. For some it is torture–for me it is bliss. Anything is possible at this phase of the project. I just have to make it all work.

This year will be a busy one for me. January is for plotting, and filling up index cards with ideas. I couldn’t be happier.

Writer friends, how do you plot? Do you love that phase, or dread it? Does the muse visit as you write, or does she front load you with ideas?