Guest: Triss Stein, Inspired by Facts

Edith here, happy to welcome Triss Stein back to the blog! She has a new mystery out – Brooklyn Wars – in a series I love. And she’s giving away a copy of either this book or Brooklyn Bones, the first book in the series, to one commenter here today.BrooklynWarsCover-ONLINE

From the earliest days of the Republic until the administration of LBJ, the Brooklyn Navy Yard was, proudly, both an arsenal of democracy, in FDR’s words, and the creator of 70,000 local jobs. In time it became best known as the scary place New Yorkers had to locate to rescue their impounded cars. And then it came back to life, but not without a war.
 
Erica Donato, under pressure to complete her dissertation about changes in Brooklyn neighborhoods, watches as a community meeting becomes a battleground over plans to redevelop the once-proud Yard. That night, on the Yard’s condemned Admirals’ Row, she witnesses the shocking murder of a power-broker.
 
 Erica once again discovers “what’s past is prologue” to both murder and to her life.

 

INSPIRED BY FACTS

What do these random items have in common?

  • A flock of bright green tropical parrots live on a chilly northeastern urban college campus. No one knows where they came from. Sometimes they take a little trip over to a nearby park-like cemetery
  • A long-rumored, legendary underground tunnel at a major transportation hub was rediscovered found some years ago. Pirates? Bootleggers? John Wilkes Booth? All are suspected
  • Valuable stained glass windows have been stolen from old cemeteries and churches.
  • During World War II, damaged ships brought to a huge navy yard sometimes still held the bodies of sailors trapped below when the ship was hit
  • Before the Civil War there was a flourishing hamlet of freed slaves. Then it vanished into the growing city.BrooklynSign

Have you guessed? They are all about Brooklyn and they are one of the reasons I write mysteries that take place in different Brooklyn neighborhoods. How can I resist making these odd bits of history part of a story?

One of them made it into a book (in fact, inspired one), one made it into a story in my publisher’s anniversary anthology, Bound by Mystery, and three, well, I haven’t figured out how to use them. Yet.

TreeWhere did they come from? One was a story an old man remembered hearing as a boy, and two were in newspapers, and I am the person who remembered and looked for more. I worked for awhile in the neighborhood near a third. Those parrots? I’ve seen them in Green-Wood Cemetery, sitting all over the huge Gothic entrance and making quite a racket.  But I found out there are conflicting stories about their origins by researching online.

used to

Photograph by Anthony Russell, used with permission.

For the brand new book Brooklyn Wars, I did much research the old fashioned way. In the library. The book is set against the history of the old Brooklyn Navy Yard, a large piece of real estate, and, at different times, a source of Brooklyn pride, of politics and of contention. I went in to Brooklyn history room and said, “Give me everything you have on the Navy Yard. ”  I spent a day taking notes, making copies and jotting down the names of books I might be able to buy on used books sites.

I looked for inspiring photos that captured a moment. Did I find them?? How about Senator Truman and his family, dedicating the USS  Missouri? How about some of the first women workers there, striding proudly out the gate?  I even found an old dissertation about the heated politics of the closing of the Yard.  Dry academia? There were dozens of possible plots in those pages.

poster3I love spending a day like that, looking for that one odd fact that focuses  a whole story. I always find one and sometimes several. My protagonist, Erica Donato, is a history grad student still working on her dissertation. She loves spending a day that way too.

It’s not impossible that writing these mysteries is an excuse to indulge my inner history geek . At least it gives me a reason to explore odd facts and odd places.

The next book, just getting started, will be about Brooklyn Heights, one of the oldest parts of Brooklyn and the very first official Historic District in New York city. And this is, after all, Brooklyn, a place where people have opinions. It was quite a battle.

Here is a Brooklyn Heights urban legend I was told by a colleague many decades ago, when I lived at the corner of Orange Street. It turns out to be, probably, true: an elderly descendant of an old Brooklyn family objected to streets being named for other old families. She objected so much she would take the street signs down late at night. The city finally gave in and renamed them for fruits.

Who wouldn’t be inspired by that?

high res MIR copy

Do you know a surprising or fun fact about your town? And if you are a writer, have you ever felt compelled to write about it? Remember, Triss is giving away a copy of either the new book or the first book in the series to one commenter!

Triss Stein grew up in northernmost NY state but has spent most of her adult life in Brooklyn. This gives her a useful double perspective for writing mysteries about the neighborhoods of her constantly changing adopted home. In Brooklyn Wars, her heroine Erica Donato witnesses a murder at the famous Brooklyn Navy Yard and finds herself drawn deep into both old and current conflicts.

 

Guest Karen Olson – Writing a Strong Sense of Place

Hey, it’s Liz and I’m so happy to welcome Karen Olson to the blog today! She’s talking about writing a strong sense of place. Take it away, Karen!

Karen

As the former travel editor of the New Haven (CT) Register, I love books that have a strong sense of place, like Laura Lippman’s Baltimore, Sue Grafton’s Santa Teresa, Dennis Lehane’s Boston, Michael Connelly’s Los Angeles. I want to feel like I’m really there, like I’m really in that scene walking down a particular street, the details on the page coming alive in my imagination.

I set my first mystery series in New Haven, which was the obvious choice. I’ve lived in the area my whole life, I’ve worked here. I love the city with its distinct neighborhoods and history and amazing pizza. I wanted to bring the city alive to my readers, most of whom might never get to see it in person. My next series setting wasn’t such an easy choice. I was going to write about a tattoo artist, and I felt that the location needed to match the edginess of the character. I picked Las Vegas, despite having been there for only two days 12 years before. It’s easy, I thought, because Vegas is everywhere: on TV, in movies, in other books. But about halfway through writing The Missing Ink, I told my husband, “We have to go to Vegas.” It was the right choice, because the words flowed onto the page after that, and I feel that the series evokes the craziness that’s Vegas.

All series come to an end eventually, though (Sue Grafton’s on Y now, and we all know what that means), and I struggled a little with what I was going to do next. I’d written some pages a few years before, and my agent urged me to finish it.

It was set on Block Island.

My husband and I spent our honeymoon there, and we’d visited again after that. But it was after I took a press trip to the island and wrote a piece for the newspaper that I decided to set the book there. “I’ve been missing for 15 years,” is the first sentence in HIDDEN. I had no idea who she was or why she was missing, but I knew where she was. The story grew out of that one small sentence, and Block Island was a perfect place for someone who was off the grid, concealing her identity—and, as it turned out, her crime. As I wrote, I closed my eyes and could see the stone walls, the lighthouses, the marinas, the tiny airport, the bar where she meets her friend Steve. I could feel her fear as she tries to hide from her past.

I wish I could have left her there. But my editor wanted a series, and she was already sequestered on a small island in the middle of the St. Lawrence River in Quebec, another idyllic place that I’d traveled to.

My Black Hat Thriller series has become a travelogue of sorts, as computer hacker and fugitive Tina Adler is always on the move. From Quebec, she goes to Miami, then to South Carolina, and then to Paris. Google street view is my new best friend, as I pore over my photographs and notes from my travels. I’ve probably got some things wrong, but the sense of place is what I’m striving for. I want my readers to feel like they know a place after putting down my books, like I feel when I’ve spent time in Rob Hart’s Prague or Ian Rankin’s Edinburgh or JA Jance’s Seattle or Carl Hiaasen’s Miami.

What is your favorite book with a strong sense of place?

Karen E. Olson writes the Black Hat Thriller series. She won the Sara Ann Freed Memorial Award for best debut mystery and has been nominated for a Shamus Award. She balances writing with working full time at Yale University Press. She is empty nesting in Connecticut with her husband and cat Eloise. Please visit her website at www.kareneolson.com.

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Guest: Alexia Gordon

Edith here, loving the smells of summer, and delighted to welcome mystery author Alexia Gordon as our guest today! Her second Gethsemane Brown mystery released this month. I read Murder in G Major, the first Gethsemane Brown mystery (nominated for an Agatha Award for Best First Novel, I might add), and loved it. I can’t wait to read the new one. Here’s what Death in D Minor is about:

DeathInDMinor front

Gethsemane Brown, an African-American classical musician a living in an Irish village, scrambles to call her vanished spectral roomie back from beyond and find a way to save her cottage from being sold. When her visiting brother-in-law is accused of stealing a valuable antique, Gethsemane strikes a deal with a garda investigator to go undercover as a musician at a charity ball and snoop for evidence linking antiques to a forgery/theft ring in exchange for the investigator’s help clearing her brother-in-law. At the party, she accidentally conjures the ghost of an eighteenth-century sea captain, then ends up the prime suspect in the party host’s murder. With the captain’s help, she races to untangle a web of phony art and stolen antiques to exonerate herself and her brother-in-law – until the killer targets her. Will she bring a thief and murderer to justice, or will her encore investigation become her swan song?

Doesn’t that just sound delicious? And Alexia is giving away the audio book (on CDs) of Death in D Minor to one lucky commenter here today.

A Method To My Madness

I’m used to doing things without giving much conscious thought to the steps involved in execution. I’m like Nike, I “just do it”. I have a process, of course, and it’s a logical process but it’s an unconscious one, like those programs always running in the background on your laptop. I think it’s hereditary. I never learned to cook from my mother because she’s a “some-bit cook”. I’d watch her in the kitchen, far enough away to not be underfoot, and ask how much of a particular ingredient she added to the pot. “Some,” she’d answer, or, “A bit.” I’ve had to become more aware of those processes since becoming a published author, however, because one of the questions I’m often asked is, “What is your writing process?” I’m forced to come up with a better answer than, “Um.”

I go through several phases as I write a book: brainstorming (a.k.a. daydreaming), researching, plotting, outlining, developing characters, writing, rewriting. Not necessarily in that order. Definitely, not in a linear order. Multi-phase execution occurs simultaneously. I may develop characters while I research. I flip back and forth between outlining and writing.

Brainstorming and research are two of my favorite phases. I love to play the “What if?” game. I read the recent article about a company offering to implant a microchip in employees’ hands to allow them the convenience of unlocking doors and turning on the copy machine with a key card. Instead of thinking, “Wow, that would be convenient, what a great idea,” I thought, “What if?” What if someone wanted to access a secured building? Would they cut off someone’s hand to get the chip? Kidnap the chipped employee and force them to do the dirty work so only their fingerprints were left at the scene? And what if a chipped employee quit? How far would the company go to retrieve it’s data? All sorts of criminal possibilities flooded my brain.

I also love to people watch (and to eavesdrop), all in the name of research. Several days ago I needed a model for a character. I won’t say which one. I went out to eat and kept my eyes and ears open. Before I finished my coffee, I spotted diners at a nearby table who exhibited behavior that begged to be fictionalized. This week, I’m at a conference related to my day job. I attend the sessions and listen to the speakers to get the information I need for work but a tiny part of my brain stays alert for some tidbit that could work its way into fiction someday, like a robotic vehicle that recovers casualties from a building in midtown Manhattan that’s under attack by aliens. (None of the speakers mentioned aliens. I made that up.)

So, there’s a partial answer, my attempt to quantify “a bit”. I’ll keep “just doing it” because that’s how my brain works. But I’ll be more mindful of the how. Because “Um” isn’t a good answer.

Readers: Do you map your processes? Or do you just do it and sort out how later? Remember, your comment could win you the audio book (on CDs) of Death in D Minor!

AlexiaGordonA writer since childhood, Alexia Gordon continued writing through college but put literary endeavors on hold to finish medical school and Family Medicine residency training. Her medical career established, she returned to writing fiction. She completed SMU’s Writer’s Path program in Dallas, Texas. Henery Press published her first novel, Murder in G Major, book one of the Gethsemane Brown mysteries, in September 2016. Book two, Death in D Minor, premiered July 2017. She is a member of Sisters in Crime, Mystery Writers of America, International Thriller Writers, and the Writers’ League of Texas. She listens to classical music, drinks whiskey, and blogs at http://www.missdemeanors.com.

The Tell-Tale Title — Guest Maya Corrigan

Thank you, Sherry, for hosting me on the Wicked Cozy Author blog. Though my Five-Ingredient Mysteries are set in a historic town along the Chesapeake Bay, the most recent one has a New England connection. Its title derives from a story about a murder, “The Tell-Tale Heart,” by Edgar Allan Poe, who was born in Boston and whose first book was published there. More about that book at the end of this post, but first I want to explain how the title, The Tell-Tale Tarte, was born and how it affected the tale.

For a work of literary fiction, you can choose any title you want. For a culinary mystery, your choices are constrained. Ideally, the title incorporates food and the suggestion of wrongdoing, crime, menace, or death. Puns are also common, though not essential, in culinary mystery titles.

With all those parameters, I obsess about titles. My extended family also gets involved. At Christmas Eve dinner a few years ago, they vied with each other to name my next book. Some good puns came out of the exercise but, alas, nothing that belonged on the cover of a culinary mystery. Many of their suggestions had the pun and the food but no hint of a crime: The Lambshank Redemption, The Merchant of Venison. In others, the element of violence was too strong for a cozy mystery: Chili Con Carnage.

I go through bouts of title brainstorming and keep a list of possible titles. I also have a list of subjects I want to explore in the series. After I’ve decided on a subject, I check my title list, hoping to find one that will match the book’s topic. As an example, for the second book in my series, I wanted to write about frauds against retirees, which matched well with the title, Scam Chowder. Then, of course, I had to make bowl of clam chowder an integral part of the plot.

The subject I planned to explore in my latest book was the possible exploitation of an aging famous author by those in the publishing industry who make money off him. The The Tell-Tale Tarte ended up touching on that situation, but another subject overshadowed it as I outlined the book. With its title, the book had to have something to do with Poe. He was a good fit for a mystery related to publishing. He struggled to get his work published and to earn enough from his writing to fend off starvation. The irony is that his first book, “Tamerlane and Other Poems By A Bostonian,” has become the Holy Grail of American book collecting, the most expensive rare book by an American author ever sold at auction. That book is mentioned on the plaque commemorating Poe’s birthplace in Boston. There are only a dozen known copies of it, and one of them figures in the plot of The Tell-Tale Tarte.

The event that embroils my sleuth, Val, and her grandfather in the search for a murderer occurs at a book club dinner party, when Val serves the French dessert, tarte Tatin. The book’s title didn’t affect just one scene or one plot point. The cast is made up of people inspired by Poe two hundred years after his death: the aging writer whose riffs on Poe’s stories are bestsellers; the author’s entourage, including his publicist and his writing protégé; an actor with a one-man Poe show; and a Poe scholar.

Coming up with a title that integrates well with a story is part of the publishing journey, and sometimes the title turns the story in an unexpected direction.

Readers: Have you ever picked up a book because the title grabbed you? Do you have a favorite title? Writers: is titling a book a challenge for you?

Maya (Mary Ann) Corrigan writes the Five-Ingredient Mysteries, By Cook or by Crook, Scam Chowder, and Final Fondue. In the 4th book of the series, The Tell-Tale Tarte, the search for the murderer of a Poe performer takes a café manager and her grandfather to a local “House of Usher” and to the graveyard where Poe is buried. Each book includes five suspects, five clues, and Granddad’s five-ingredient recipes. Before taking up a life of crime on the page, Maya taught university courses in writing, American literature, and detective fiction.

 

Guest: Peg Cochran

Edith here, happy to welcome Peg Cochran, a fellow cozy author who also writes about murder related to farming! Here’s the blurb for her newest mystery,  SowedtoDeathSowed to Death:

The county fair is the highlight of the year for the small town of Lovett, Michigan—especially for food-and-lifestyle blogger Shelby McDonald, who writes as the Farmer’s Daughter. She’s submitting jams and jellies she’s created from the produce she grows at Love Blossom Farm in hopes of harvesting a blue ribbon. But the townspeople get more than just the excitement of hayrides, tractor pulls, and cotton candy when Shelby’s neighbor and volunteer fireman, Jake Taylor, extricates the body of Zeke Barnstable instead of a dummy during a demonstration of the Jaws of Life. The fact that Jake and Zeke were known to be at odds plants suspicion in the minds of the police. As evidence against Jake grows, Shelby knows she has to plow through the clues to weed out the true killer and save her friend.

Doesn’t that sound fun? And she’s giving away a copy to one commenter here today. Take it away, Peg!

An Agent by Any Other Name…

When I first starting looking into getting an agent for my work, I had a fairly limited view of what an agent does—they sell your book and make sure the contract isn’t entirely in the publishing house’s favor.

JessicaFaustI was thrilled when agent Jessica Faust of BookEnds agreed to take me on, and I quickly learned that an agent does so much more than get you a book deal and vet your contracts.

An agent—a good one anyway—is a collaborator, editor, nag, supporter, career coach and someone who forces you to write the dreaded synopsis even when you don’t want to.

My newest series, The Farmer’s Daughter Mysteries, is a case in point.  It started with our annual “what are your plans for this year?” conversation (career coach) wherein I indicated a desire to take on a new cozy series.

From there, we tossed around possibilities (collaborator) and Jessica mentioned her idea for a cozy series revolving around a lifestyle blogger who lives on a farm. I liked the idea despite the fact that a) I’ve never lived on a farm or even near one and b) I can’t grow anything and can barely keep a plastic plant alive.

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Peg’s only plant

But I was game so I ran with the concept and put my own spin on it. I made the blogger a widow with two children, added a couple of possible romantic interests, complicated things with a brother-in-law who reminds my protagonist a little too much of her late husband, and then tossed in a dead body.

From there, I submitted three chapters, which I rewrote with Jessica’s subsequent feedback (editor) and then created the series overview and synopsis for the first book (synopsis enforcer).

Jessica was excited about the idea and occasionally emailed to ask how it was going (nag). Finally it was done and on submission. The first publishing house we approached turned it down, but Jessica assured me that it would find a home (supporter).

Jessica then did the two things I knew an agent did: sold it to Berkley Prime Crime and made sure the contract was in order.

I don’t know if I’m just lucky and Jessica is exceptional (which I suspect she is) or if this is the industry norm. Either way, I can’t imagine negotiating the tricky waters of a writing career without someone like her!mlc 9-15

Mystery writing lets Peg Cochran indulge her curiosity under the guise of “work” (aka research).  She put pen to paper at age seven when she wrote plays and forced her cousins to perform them at Christmas dinner.   She switched to mysteries when she discovered the perfect hiding place for a body down the street from her house.  

When she’s not writing, she spends her time reading, cooking, spoiling her granddaughter and checking her books’ stats on Amazon.  Peg resides in Michigan with her husband and Westhighland white terrier, Reg.  She is the author of the Sweet Nothings Lingerie series (written as Meg London), the Gourmet De-Lite series, the Lucille series, the Cranberry Cove series, The Farmer’s Daughter series, and the Reluctant Debutante series debuting in the fall of 2018 from Random House. You can find her at www.facebook.com/pegcochran, @pegcochran (twitter), pegcochran (Instagram), and www.pegcochran.com.

Readers: Have you ever lived on a farm and/or would you like to? Do you have a green thumb or a black one like mine? Remember, Peg is giving away a copy of Sowed to Death to one commenter here today!

Cover Reveal — Guest Debra Sennefelder

We are delight to welcome back Debra Sennefelder and share the cover of her debut book The Uninvited Corpse! It’s available for pre-order here. It comes out March 27, 2018 from Kensington Publishing.

Thank you Wicked Cozy Authors for inviting me to reveal the cover of my debut novel, The Uninvited Corpse. I’m beyond thrilled to here today and I’m so excited to have the cover my book. It’s truly a dream come true.

Here is the back cover copy for  the first book in the Food Blogger Mystery series: Leaving behind a failed career as a magazine editor and an embarrassing stint on a reality baking show, newly divorced lifestyle entrepreneur Hope Early thought things were finally on the upswing–until she comes face-to-face with a murderer . . .

Hope’s schedule is already jam packed with recipe testing and shameless plugs for her food blog as she rushes off to attend a spring garden tour in the charming town of Jefferson, Connecticut. Unfortunately, it isn’t the perfectly arranged potted plants that grab her attention–it’s the bloody body of reviled real estate agent Peaches McCoy . . .

One of the tour guests committed murder, and all eyes are on Hope’s younger sister, Claire Dixon–who, at best, saw Peaches as a professional rival. And suspicions really heat up when another murder occurs the following night. Now, with two messy murders shaking Jefferson and all evidence pointing to Claire, Hope must set aside her burgeoning brand to prove her sister’s innocence. But the closer she gets to the truth, the closer she gets to a killer intent on making sure her life goes permanently out of style . . .

I had a blast writing The Uninvited Corpse. For as long as I can remember I always wanted to be an author. I had visions of spending my days writing scenes, chapters and hitting bestseller lists. Silly childhood dreams, right? I discovered mysteries beyond Nancy Drew and the Hardy Boys, cozies in particular when I found the Miss Marple books. I was hooked.

Fast forward a few more years and I was browsing in the local bookstore of my new hometown after I married and I found the Faith Fairchild mystery series by Katherine Hall Page. Once I read The Body in The Belfry I knew what I wanted to write. Then I discovered Valerie Wolzien, Diane Mott Davidson, Claudia Bishop and so many other wonderful writers. Then life happened and I stepped away from fiction writing. I eventually started a food blog, The Cookbook Diva. In that space I was in control of everything – content, schedule, promotion. No one was editing me. No one was rejecting my work. I loved it. I enjoyed sharing my recipes, I enjoyed the blogger community and I really enjoyed spending time in my kitchen. But over time I felt that tug of something that was missing. What was missing was fiction writing. When I really thought about it I couldn’t see myself in ten years from then still writing a food blog but I could see myself as an author.

One weekend I decided to pull out my idea file (writers usually have thick folders of ideas for books) and I started thinking up plots and characters. I slowly got back into the writing community, found my critique partner, mystery author Ellie Ashe, and set forth to write a novel. I knew my amateur sleuth would be involved with food somehow. I considered several options and the one that seemed the best fit was food blogger. I had experience with that world and it was something different for the cozy world. Once I was well into the first draft of The Uninvited Corpse I made the decision to shut down my food blog and focus entirely on fiction writing. I’m so glad I did because I’m exactly where I should be writing novels.

Thank you for sharing my cover reveal with me today!

Readers: What is your favorite thing about culinary mysteries? Or what is your favorite thing about finding a new series?

 

 

Welcome Back, Hallie Ephron

by Barb, who as of when she’s posting this, has no idea what U.S. state (or what mental state) she will be in when it’s published.

If you’ve read this blog for awhile, you’ve heard of Hallie Ephron. She’s been our guest on the blog several times, and has been a teacher, mentor, and friend to each of us. Not to mention, she writes for one of our favorite blogs, the Jungle Red Writers.

Now she has a fabulous new book, You’ll Never Know, Dear. I devoured it in two greedy days. Spoiler alert, I loved it and you will, too. Please welcome Hallie back to the Wicked Cozies.

Barb: You’ll Never Know, Dear is set in the fictional town of Bonsecours, SC, a departure for you. Why did you set this story in the south?

Hallie: I imagined the book opening with two of my main characters sipping sweet tea and eating egg-salad sandwiches on a front porch hung with wisteria. The older woman is a doll maker. I knew we weren’t in New England. Or Hollywood. Or the Bronx. Or anywhere else I’ve set a story.

When I envisioned the town around them, I “saw” Beaufort, South Carolina. I’d been there a few times. Historic. Gracious. Riverfront. Perfect. Then I fictionalized it to Bonsecours because the real Beaufort has such an incredible history (it rivals nearby Savannah) and has already been immortalized by writers far more brilliant than I.

Barb: The book is about a crime in the past, the abduction of a little girl and her doll in the 1970s. The narrative takes place entirely in the present, when the doll comes back. Why did you decide on that timeline? Was it an easy decision? Did you every write any of the scenes set in the past?

Hallie: Such an interesting question. No, I never considered writing full blown flashbacks, or starting in the past which is where the story really begins (as do most!) I wanted secrets from the past to be uncovered in the present, by the reader as much as by the characters. That’s why I couldn’t let the grandmother, Miss Sorrel, narrate. She knows too much.

Barb: You’ve recently published an updated edition of your acclaimed writing book, Writing and Selling Your Mystery Novel: The Complete Guide to Mystery, Suspense, and Crime. I’ve always wondered, does thinking through and externalizing your writing process–i.e. consciously knowing what you know, help you as a writer? Or does it make that voice from your internal editor even louder?

Hallie: Spontaneity has its limits. Then it helps if you have some idea what you’re doing. Knowing what I know is especially useful in plotting, making sure there’s an arc for the main character, making sure that something HAPPENS…every so often.

Barb: Recently, Wicked guest, Lori Rader-Day, posted here about why she writes standalones. You switched from series to standalones. Why? Have you ever wanted to go back?

Hallie: Only when I start a new novel and have to start all over with new characters, new setting, new dynamics. Once I’ve got a story up and running I never look back. I was afraid switching to standalones would be bad from a business perspective–that my publisher wouldn’t maintain my backlist. But they have, even better than my previous publisher did for the series.

Barb: What are you working on now?

Another standalone, this one set back in New England. I’m only 50 pages in and no one’s been murdered yet. But for once I know who’s the victim and who did it. Or at least I think I do.

HALLIE EPHRON is the New York Times bestselling author of suspense novels reviewers call “deliciously creepy” page turners. He new novel, You’ll Never Know, Dear, tells the story of a little girl’s disappearance and the porcelain doll that may hold the key to her fate. The Boston Globe called it “an accessible, easy read that deftly integrates the mystery genre with women’s fiction, it’s made compelling by the depth and resonance of the relationships.” In Night Night, Sleep Tight, Hallie took her experiences growing up in Beverly Hills in a family of writers and wove them into a suspense novel with echoes of a scandalous true crime. Her Never Tell a Lie was adapted for film as “And Baby Will Fall” for the Lifetime Movie Network. She is a four-time finalist for the Mary Higgins Clark Award and author of Writing & Selling Your Mystery Novel, an Edgar Award finalist.

Readers: Do you like standalones? Novels of the south? Suspense?

If so, this book is for you.

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