About Jessie Crockett

Jessie Crockett wears a lot of hats, both literally and literarily. As Jessie Crockett she is the Daphne Award winning author of Live Free or Die and the nationally bestselling Sugar Grove series. As Jessica Ellicott she has received starred reivews from Publishers Weekly and Library Journal for her historical mystery Murder in an English Village. As Jessica Estevao she writes the Agatha Award nominated Change of Fortune Mysteries. She loves the beach, fountain pens, Mini Coopers and throwing parties. She lives in northern New England where she obsessively knits wool socks and enthusiastically speaks Portuguese with a shocking disregard for the rules of grammar. As Jessie Crockett she’s the author of the nationally bestselling Sugar Grove Mysteries and the Daphne du Maurier Award winner, Live Free or Die.

Get to Do

Jessie: In NH where it is finally warm enough to wear dresses.office-3154815_1920

I am on deadline. June 1 to be exact. I love deadlines and I hate them. The constant pressure of the clock ticking away in my ear, the calendar pages that seem to whip by in a whirl feel oppressive half the time. The other half of the time it feels like the universe has taken me firmly in hand and demanded I behave like a professional adult.

I have always been at my writerly best when under time pressure. As a high school student I would often write papers due in the afternoon during the lunch period. It clarified and focused my thoughts and I think I enjoyed the frenzied pace such a strategy demanded.

Now although my writing projects are far more complex and cannot be left to the day before I still find I thrive on writing at a rapid clip. I love to set audacious writing goals and to challenge myself to reach them each day. I love dashing each morning into the story and galloping furiously along until I’ve met my projected word count, especially if I am worried that I can’t do it.

But despite the pleasure I take from working that way there are some unexpected consequences. My usually tidy office is heaped and piled with delayed decisions and unfinished tasks. Emails go unanswered. I switch off my phone. The interior of my fridge is a sad, echoing sort of place. I don’t always make it out of my pajamas before noon. Which brings me to the final pleasure of writing with single-minded focus: the get to do list. 

Every time a deadline is drawing near I start keeping a list of all the things I am itching to do just as soon as it passes. The fact that I cannot seem to get to some things makes them seem all the more interesting. The trip to the grocer, steaming the wrinkles out of the new duvet, updating my website. All these things and more take on the air of forbidden fruit. Not only do I get to write the way I prefer but I end up looking forward to those tasks I would consider mundane under most circumstances and would likely put off doing them. It is all a little crazy. It is a little slice of heaven.

Readers and writers, do you love or hate deadlines? Do you keep get to do lists?

 

 

Agatha Historical Nominees and Giveaway!

Jessie: In New Hampshire where we still are waiting for that last bit of snow to melt on the north side of the house.

It is my very great pleasure today to welcome the nominees for the 2017 Agatha Historical Award! Each of my fellow nominees were gracious enough to answer the following question:

What first attracted you to the historical era in which you set you books and what draws you back to it time and time again? 

P1120916Rhys Bowen is the New York Times bestselling author of two historical mystery series: the Molly Murphy Mysteries, set in early 1900s New York City and the lighter Royal Spyness novels featuring a minor royal in 1930s London. She has now also published two stand-alone novels. The first of these, In Farleigh Field was #1 on Kindle for six weeks, won the Lefty award for best historical and is currently nominated for the Edgar and Agatha awards.

Rhys is a transplanted Brit who now divides her time between California and Arizona (and Europe whenever she can escape)

Rhys: In Farleigh Field was something I’d wanted to write for a long time. It was a bigIn Farleigh Field risk for me: a stand-alone novel when I have built up a great fan base for my series. Would they follow me to a new time and place? To a book that is more thriller than cozy mystery?

I’ve always been fascinated with WWII. It was the last time we had a clear sense of good versus evil and everyone knew he had to do his part to stop evil before it swallowed up the world. It was a time of hardship and misery and bombings but also a time of heightened emotions, camaraderie and a joy in being alive.

I suppose I am attracted to the period partly because I was born toward the end of it and so my early memories were of my father coming home, rationing that continued until 1953, stories of hardship and bombing, and the black market. What I had not heard as a child were stories of traitors. I was horrified, when I read a biography of the former King Edward VIII (the Prince of Wales who married Mrs. Simpson) that suggested he was whisked to the Bahamas because of his pro-Hitler sentiments and that the Germans wanted to invade and put him on the throne. Further investigation revealed that there was a group of aristocrats who were pro-German and wanted to aid the invasion, believing, mistakenly of course, that Hitler would treat Britain kindly and that this would stop the destructive bombing of Britain’s monuments. This was a story I had to write.

I also loved the freedom of multiple stories, multiple points of view. We see the war and the unfolding mystery through the eyes of Lady Pamela, daughter of an Earl, now working secretly at Bletchley Park, her sister Margo, now taken by the Gestapo in Paris, her youngest sister Phoebe, a precocious 12 year old, and Ben, the vicar’s son, now also working secretly for MI5. And through each of them we put together pieces of the puzzle while we watch their interpersonal relationships develop.

crop_4182Renee Patrick is the pseudonym for married authors Rosemarie and Vince Keenan. Rosemarie is a research administrator and a poet. Vince is a screenwriter and a journalist. Both native New Yorkers, they currently live in Seattle, Washington.

Rosemarie and Vince share a love of movies, cocktails, and the New York Mets. Together, they’ve introduced movies at the famous Noir City Film Festival and on Turner Classic Movies. Separately, they’ve appeared on game shows. While they grew up mere subway stops apart in Queens, they didn’t meet until fate threw them together at a South Florida advertising agency. Their most successful collaboration to date, Design for Dying was published one month before their silver wedding anniversary. And some said it wouldn’t last.

Renee: What attracted us to the era is the same thing that attracted us to each other,Dangerous to Know cover proof February 2017 namely our love of classic Hollywood movies. We both grew up watching black and white films on television, and that interest has only intensified over the years. We’re both still suckers for the 1930s Hollywood version of sophistication exemplified by the Thin Man movies and Astaire & Rogers musicals—the champagne cocktails, the sparkling repartee. Knowing that Hollywood was serving up these dreams as the world was struggling through the Great Depression only makes us admire the movies more. The 1930s is also when Edith Head, one half of our detective duo along with failed actress Lillian Frost, was coming into her own as both a costume designer and an executive. What keeps drawing us back? Those movies! That will always be our answer to everything.

MacNeal author photo 17

Susan Elia MacNeal is the author of The New York Times, Washington Post, Publishers Weekly, and USA Today-bestselling Maggie Hope mystery series, starting with the Edgar Award-nominated and Barry Award-winning Mr. Churchill’s Secretary, which is now in its 22nd printing. She is currently at work on The Prisoner in the Castle, the eighth novel in the series.

Her books include Princess Elizabeth’s Spy, His Majesty’s Hope, The Prime Minister’s Secret Agent, Mrs. Roosevelt’s Confidante, The Queen’s Accomplice, and The Paris Spy. The Maggie Hope novels have been nominated for the Edgar, the Macavity, the ITW Thriller, the Barry, the Dilys, the Sue Federer Historical Fiction, and the Bruce Alexander Historical Fiction awards. The Maggie Hope series is sold worldwide in English and has been translated into Czech, Japanese, Mandarin, Cantonese, and Turkish. It is also available in large print and audio. Actress Daisy Ridley (Star Wars, Murder on the Orient Express) has bought the film and television rights to the series. 

Susan graduated from Nardin Academy in Buffalo New York, and also cum laude and with honors in English from Wellesley College. She cross-registered for courses at the Massachusetts Institute of Technology and attended the Radcliffe Publishing Course at Harvard University. Her first job was as the assistant to novelist John Irving in Vermont. She then worked as an editorial assistant at Random House, assistant editor at Viking Penguin, and associate editor and staff writer at Dance Magazine in New York City. As a freelance writer, she wrote two non-fiction books and for the publications of New York City Ballet.

Susan is married and lives with her husband, Noel MacNeal, a television performer, writer, and director, and their son in Park Slope, Brooklyn.

Susan:  I was in London with my husband (who was promoting his show with the Jim7bb682bc269e83b0572bd585ae20c124 Henson Muppets) and we met up with a friend in a pub. Our friend handed me a copy of Time Out London and when I flipped to a page with an ad for the Churchill War Rooms, he said, “Maybe you should go — despite what you Yanks may think, World War II didn’t start with Pearl Harbor.” So I took it as a personal challenge and went.

It was an absolutely life-altering experience.

Of course, I never dreamed that I would be so captivated by going there, and that the visit would be a catalyst for writing a novel! Or a series! THE PARIS SPY comes out in Trade paperback tomorrow and Maggie Hope, #8, THE PRISONER IN THE CASTLE is to be published on August 7.

 

MaxwellCropEdith Maxwell Agatha- and Macavity-nominated author Edith Maxwell writes the Quaker Midwife Mysteries, the Local Foods Mysteries, and award-winning short crime fiction. Called to Justice, Maxwell’s second Quaker Midwife mystery, is nominated for an Agatha Award for Best Historical Novel. As Maddie Day she writes the popular Country Store Mysteries and the new Cozy Capers Book Group Mysteries.  

Maxwell is president of Sisters in Crime New England and lives north of Boston with her beau, two elderly cats, and an impressive array of garden statuary. She blogs at WickedCozyAuthors.com, KillerCharacters.com, and Under the Cover of Midnight . Read about all her personalities and her work at edithmaxwell.com.

Edith: I stumbled onto the late 1880s from a newspaper article about Amesbury, Called to JusticeMassachusetts’ Great Fire of 1888, and I wrote a short story about a Quaker mill girl who solves the mystery of the arson (which wasn’t the cause, historically). The characters and setting – 130 years ago right here in my town – didn’t want to go away, so I wrote Delivering the Truth, got a three-book contract (already renewed for at least two more), and here we are!

It turns out the late 1880s is a fascinating period to write in. So much was on the cusp of change. The horse-drawn trolley didn’t become electrified until 1890 but parts of the town had electric street lights. The germ theory of infection was known but not blood typing, and most births still happened at home. Fingerprint analysis wasn’t yet developed. Some fancy houses had indoor plumbing but not the modest ones. Amesbury’s factories sold well-engineered graceful carriages internationally and the town was thriving. Screen doors were new. Corsets were loosening and hems were starting to creep upward.

I love having Rose experiences these changes, navigate them, and comment on them, and I hope you do, too.  See you all in North Bethesda!

SONY DSCJessica Ellicott loves fountain pens, Minin Coopers and throwing parties. She lives in northern New England where she obsessively knits wool socks and enthusiastically speaks Portuguese with a shocking disregard for the rules of grammar. 

As Jessie Crockett she’s the author of the nationally bestselling Sugar Grove Mysteries and the Daphne du Maurier Award winner, Live Free or Die.  She also is the author of the books in the Change of Fortune Mystery series under the name Jessica Estevao.

Jessica: I think it was a combination of influences that led me to write about the 1920s.MURDER IN AN ENGLISH VILLAGE As a child I loved reading books by Agatha Christie and that lead me to seek out books written by her contemporary mystery writers. I particularly loved those written by Ngaio Marsh. At about the same time I fell in love with the work of P.G. Wodehouse. I just couldn’t get enough of his charming, uproarious world. Somehow along the way the two sorts of books set in the same approximate time period wound together in my mind.

And as much as I love writing about the era because of the hats, the automobiles and the music, it is the way the world was changing for women and for each socioeconomic class that keeps bringing me back. The more I research about the people who experienced the aftermath of WWI and the march towards WWII the more  I want to explore, to mull over and to create.

Readers, do you have a favorite historical era? The nominees will each give away a copy of their latest book to one commenter!

Bridging a Knowledge Gap

News Flash: Ginny JC is the winner of Nancy Herriman’s book! Please check your inbox.

Jessie: In New Hampshire where the snow is finally getting to me. 

playing-cards-1252374_1920I love writing historical mysteries and I think some of that love might be because I have always loved reading books written during the golden age of mysteries. With their sprawling English manors, tidy cottage gardens and house parties in the country, their charms never seem to fade for me.

I envsion the afternoon teas, croquet on the lawn, flamboyant hats and the sound of motorcar tires crunching on the gravel drives all in vivid detail. I smell the scent of roses wafting through the French doors on a warm afternoon. I feel a silk scarf flutter out behind me as I steer down a country lane in an antique automobile. These sorts of book have always transported me to places and times with ease except for one thing. Bridge.

I can see a table with four players seated round it. I can see cards on the table. And that is where things get fuzzy. I know score is kept and I believe it is written on paper but I am not sure if any old pad will do or if there are special bridge score sheets. I am fairly certain it is played in pairs and that the teammates sit opposite each other.

I’ve read enough Agatha Chrisite mysteries and E.F. Benson novels to know that someone plays “dummy” and that the game is somehow divided into rubbers. I realise betting on games makes things more exciting and that there are tricks and there are trumps. Beyond that, I am at a loss.

I feel like this is a gap in my knowledge and I am wondering if I need to correct it. I must confess, I am not an eager gamer in any way. I don’t generally play board games or card games or even sports. I feel a bit daunted about trying to learn the game from lessons on Youtube or the internet but I don’t know that I know anyone who plays.

Despite my lack of experience with Bridge my latestest characters, Beryl and Edwina have expressed an enthusiasm for it. They play for low stakes and without a cut throat attitude but they seem determined to do so in each book. I am not sure how it keeps happening but they insist on inviting friends and acquaintances over for an evening of bridge and cocktails. They have gotten me in over my head.

So readers, I am wondering if any of you play Bridge and if so, would you be willing to give me a few pointers about what I need to include in my books in order to write convincingly without needing to spend countless hours online? Beryl and Edwina would be very grateful!

Guest Post- Tina Kashian!

 

Breaking News! The winner of Tina’s giveaway is Kay Garrett! Kay please contact Tina at tina@kashian.com to receive your book!

Jessie: In New Hampshire, hunkered down under a foot of fresh snow!

I had the very great pleasure of meeting the sparkling and lovely Tina Kashian last year at the Sisters in Crime Breakfast at the Malice Domestic conference. We began chatting, as one always does when surrounded by other mystery enthusiasts, and during the course of conversation we realized we shared a publisher. So, of course, I asked her to visit here at the Wickeds as soon as her book was out. The time has come so I hope you will join me in welcoming her here today! 

I love to cook, but I wasn’t born a good cook. It’s a skill that I’ve practiced and grown to Hummus and Homicide - Final Coverenjoy. I also love all different types of cuisine—Mediterranean, Italian, Chinese, and a good American cheeseburger. My mother, on the other hand, was a talented cook. She could taste a dish, then replicate it without a recipe. My parents owned a restaurant for thirty years and food was an important part of our family. I’d often come home from school to the delicious aromas of simmering grape leaves, stuffed peppers and tomatoes, and shish kebab.

But I am more like my heroine in my debut cozy mystery, “Hummus and Homicide.” Lucy is the only person in her family who can’t cook. Her mother, Angela, is a chef, and her father, Raffi, grew up knowing how to grill the perfect shish kebab. Since returning home to Ocean Crest at the Jersey shore and her parent’s Mediterranean restaurant, Kebab Kitchen, Lucy is determined to learn how to prepare a meal. She’s receiving cooking lessons from her mother. We’ll see how it goes…

As for me, I have fond memories of watching my mother in the kitchen. I’d stand by her side with a pen and paper in hand and scribble detailed notes. She never used a recipe. I’d ask, “How much of that?” She’d say a handful or a pinch. It drove me nuts! Our handfuls were not the same. Years later, my mother passed away. When I try to prepare her dishes, they never seem to come out just like hers. Maybe it’s the memory I’m holding onto more than the taste of the food.

Tina Gabrielle Author PhotoBut I am writing down my recipes for my two young girls. No more handfuls or pinches of anything. If my girls decide to make a dish, then I’d like them to have a recipe to follow.

I’m excited about the release of “Hummus and Homicide.” I also had great fun coming up with the other titles—Stabbed in the Baklava (September 2018) and One Feta in the Grave (February 2019). All the titles are puns on food and reflect the light and funny feel of the cozy mysteries.

So, readers, what is your talent or favorite hobby? Did you have to work at it or was it natural? Please comment for a chance to win a copy of “Hummus and Homicide.” Ebook or print (U.S. only). Your choice!

Restrictions

Congratulations Kristin Shandler! You are the winner of the giveaway from Krista Davis! Check your email for details!

Jessie: In New Hampshire, where the birds are starting to sing.

IMG_0003On Friday I received an unexpected package in the mail. My son decided the weather was favorable and volunteered to walk to the post office. When he returned he was bearing a lumpy envelope from my publisher.

I ripped it open expecting dust jackets for my second Beryl and Edwina Mystery, Murder Flies the Coop. Instead, I found five copies of the audiobook of the first Beryl and Edwina Mystery, Murder in an English Village. I was stunned and thrilled. This is my first audiobook and the good people at Recorded Books entrusted the job  of bringing it to life in an audible format to the acclaimed actress and voice professional Barbara Rosenblat.

When my publisher informed me several months ago tha they had sold the audio rights to the book I was delighted. This was my first experience with an audiobook being made from my work and I was eager to expand my horizons. I also loved the idea of people who prefer to experience stories in this way having a chance to try my work.

But here’s the problem: as much as I am delighted that the audiobook exists and am so appreciative that such a lauded professional has been willing to apply her talents and skills to a version of my work that has been evaluated as a wonderful expression of the book, I can’t bring myself to listen to it. I put all five copies on a shelf in my office and they have been staring me down all weekend.

The thing is, I know exactly how Beryl and Edwina sound in my head. They are talkative and generous women and neither of them holds back about what is on their minds. When I write the books it feels almost like I am a court reproter taking down what the witnesses have to say rather than that I am the one generating the stories. I plot my books so I know I was involved but it still feels like channeling rather than creating. I can see these women and hear them so clearly that I have a bit of trouble remembering that we haven’t actually met on the physical plane. Which brings me to my reluctance to listen to the audio version.

The fact is, I am scared to do so. I am afraid that if I hear the way another artist interprets how they sound I won’t be able to hear my version anymore. I worry that the voices I have come to recognize and the companionship I have enjoyed when commiting their stories to paper will evaporate into the thin air if I permit another version of them into my consciousness.

I may be worrying for nothing but I have decided that I cannot risk it. I have determined that the only thing to do is to give away four of the copies and to let my husband listen to the fifth. Maybe my kids will do so too. I am delighted to provide it with pride of place on the shelves in my office that I have set aside for the varying versions of my work. And I am content to leave the listening to others.

So dear readers, tell me, what self-imposed restrictions do you create for yourself? Writers, do you worry about anything altering the way your characters sound in your head?

I am choosing a subscriber to my newsletter to win a copy of the audiobook. If you sign up before the February newsletter goes out next Sunday your name will go into the hat! Good luck and if you win, let me know how you like the way it turned out!

Cover Reveal-Murder Flies the Coop!

GIVEAWAY WINNERS: Congratulations Sheryl Sens and Kara Leigh! You each won a copy of Murder in an English Village! Please email me at jessie@jessiecrockett.com with your mailing address so that I may post them off to you this week!

Jessie: In New Hampshire where my head is spinning from the rapid changes in temperature!

The writing life involves a lot of waiting. Waiting for ideas and characters to form in the mind. Waiting to hear from agents and editors. Waiting for reviews to come in. Waiting for the release date for a book.

But there are things that keep me from going stir crazy while I am doing all that waiting . I write the next book or research a new series. I have also learned to celebrate all the milestones along the way, which is what I am doing here today. I am absolutely delighted to tell you that the cover and back matter for my second Beryl and Edwina mystery, Murder Flies the Coop is available to share! I have loved working on this series and spending time with the two protagonists and have been chomping at the bit to post a cover reveal here on the Wickeds.

 

Here is the back cover copy:

One would hardly call them birds of a feather, but thrill-seeking American adventuress Beryl Helliwell and quietly reserved Brit Edwina Davenport do one thing very well together—solve murders . . .
 
Sharing lodging in the sleepy English village of Walmsley Parva has eased some of the financial strain on the two old school chums, but money is still tight in these lean years following the Great War. All of Beryl’s ex-husbands have proven reluctant to part with her alimony, which is most inconvenient.
 
So when the local vicar—and pigeon-racing club president—approaches them with a private inquiry opportunity, the ladies eagerly accept. There’s been a spot of bother: the treasurer has absconded with the club’s funds and several prized birds.
 
Beryl and Edwina hope to flush out the missing man by checking his boardinghouse and place of employment at the coal mine. But when they visit the man’s loft, they find their elusive quarry lying in white feathers and a pool of crimson blood, stabbed to death—the only witnesses cooing mournfully.
 
After a stiff gin fizz, the ladies resume their search for the missing funds and prized birds—and now a murderer. Beryl and Edwina aren’t shy about ruffling a few feathers as they home in on their suspects. But they had better find the killer fast, before their sleuthing career is cut short . . .

Murder Flies The Coop

Readers, I would love to know what you do to keep your spirits up while waiting for things in your lives. Writers, how do you deal with the long tail of publishing? I would love to celebrate my cover reveal by sending a copy of the first Beryl and Edwina Mystery, Murder in an English Village to two commenters who post today!

 

Favorite Things

bird-107802_1920

Jessie: In New Hampshire where the ground is covered with snow and the birds flit merrily round the feeders throughout the day.

I am an inveterate list maker. I have lists of knitting projects, recipes to try, movies to watch, tasks to finish. I have a Ravelry account for my knitting, Netflix, Hulu and Amazon Prime Video queues and a recipe box on Epicurious. Amazon’s Echo helps me to wrangle my grocery lists.  I pin all sorts of visual lists to my Pinterest boards.

But although I am always up for digital lists of all sorts I find myself scribbling lists on sticky notes and in whichever notebook I have to hand. Writing lists by hand allows me to indulge in my passion for fountain pens as well as for notebooks and papers and I always enjoy encountering lists I had made in the past. They serve as a diary of sorts, a kind of snapshot of a moment in time and often remind me of things I had forgotten.

Just this week I was planning a gathering for friends and needed to sort out a menu so naturally I reached for a pen and paper to start a list of menu ideas. I grabbed a notebook I keep in my nightstand drawer, a little A5 number with a cheerful Hello Kitty cover that my husband brought back for me from China a couple of years ago. As I thumbed through looking for a fresh page my glance fell on another sort of list entirely and one I cannot for the life of me remember writing, or even my reason for doing so.

It seems to be a list of favorite things. Just reading it over made me smile so I thought I would share it with you. Here are a few of the items listed:

  • Bento boxes
  • Fair Isle Socks
  • Vintage convertibles
  • Cardinals
  • Silk scarves
  • High ceilings and long windows
  • Fountain pens
  • Champagne
  • Brick sidewalks
  • Cashmere
  • The Atlantic
  • Fireplaces
  • Extravagant hats
  • Window boxes
  • Sparkling glassware
  • Louis Armstrong music
  • Plump goldfish

So what I am wondering dear readers is what would be on your list of favorite things? Do we have any shared loves? Writers, do you scribble down lists here, there and everywhere too? Does any of it ever make it into your writing?