About J.A. Hennrikus/Julianne Holmes

J.A. (Julie) Hennrikus writes the Clock Shop Mystery Series under the name Julianne Holmes. JUST KILLING TIME, the first in the series, was published in Oct 2015 and was nominated for a BEST FIRST NOVEL Agatha award. CLOCK AND DAGGER was released in August 2016. CHIME AND PUNISHMENT will be released in August 2017. Julie's Theater Cop series will debut in the fall of 2017. A CHRISTMAS PERIL is the first in this series about an ex-cop who runs a theater company. wears two hats. Her short stories have been published by Level Best Books: “Tag, You’re Dead” in THIN ICE, “Her Wish” in DEAD CALM, and “The Pendulum Swings, Until It Doesn’t” in BLOOD MOON. Julie is an arts administrator and arts advocate. She tweets her writing life as @JHAuthors, and her other life as @JulieHennrikus. She is an avid theater goer and a member of Red Sox nation. Her website is jahennrikus.com, and she blogs with WickedCozyAuthors.com and KillerCharacters.com.

JH Authors

2017 trading cardWhen I signed the contract to write the Clock Shop Mystery series, I had to pick a pen name. I chose Julianne Holmes, which is a family name of sorts. I talked about choosing the name here.  Two caveats helped with the name choice. The initials are the same (JH) as my real name, and the first name sounds like Julie. If I chose “Sally” or “Betty” I would never respond to folks when they called my name.

When I got the contract for my Theater Cop series, I went with my own name, J.A. Hennrikus. How thrilled am I that my folks are going to get to hold a book with my name on it?

Then I started to think about branding. I have a Facebook page that has both names. For the Clock Shop series, I got the twitter handle @ClaganClocks, since they use it in the book. But I’ve never hid the @JulieHennrikus twitter handle. I’ve got a number of followers from all parts of my life.

But when I got a second JH contract, and decided all of my pen names will be JH names, I thought about creating a second online persona, one for my writing life. @JHAuthors became that Twitter handle. I need to build up the followers, but follow me there for my writing life.

Do you like the picture of me? I saw a caricature service in a stationary store, but it was expensive to have the drawing done. (Note, artists should be paid for their work, it just wasn’t in my budget.) I have nieces, nephews, and god children who own my heart. One of my nieces just graduated from 8th grade, and is an amazing artist. I asked her to draw a picture of me, and told her what it was for. This is what she created. I love it–more timeless than a headshot, but it looks a lot like me.  She signs her work RAS. Since she is young, I’m not going to share more details than that, but know that I am a very proud aunt.

The card (which some folks got at Malice) is trading card size. For the next three years I will have at least one book out, so I decided I am going to do a new trading card every year. Isn’t that a fun way to get the information out? I’m always open to new ideas on the marketing front, and do like that the JHAuthors brand could help me figure out some fun pieces.

Dear readers, tell me, what sort of marketing swag do you respond to? Do you think that JHAuthors makes sense, or should I keep all my personas separate?

Popcorn Alert: SITE UNSEEN on Hallmark this Sunday!

By Julie, finding it hard to believe it is already June

full size DC for CrimespreemagFriends, we are so excited to celebrate some wonderful news from our friend Dana Cameron on the blog today. Dana’s book, Site Unseen, is going to be a Hallmark movie! It premieres on Sunday June 4 on Hallmark Movies & Mysteries Channel. A few of us will be tweeting during the show–follow the hashtag #Sleuthers and #EmmaFielding

A personal note about Dana. I met her at Malice Domestic many years ago. She was then the vice-president of Sisters in Crime New England, and encouraged my friend and I to join. I may have found my way to this organization that changed my life, but her kindness made me feel welcome.

siteunseen_cropSite Unseen is the first in her Emma Fielding mystery series. I love this series, and can’t wait to see how they adapted it for television. Most importantly, we Wickeds are wicked happy for our friend. I emailed Dana a few questions about her road to Hallmark.

Tell us about the books, and how you came to write them?

DANA: I’d always loved reading, but never thought I’d be a writer, because I thought you had to have “adventures” to write. I was happier with the opposite of “adventures,” which to me was spending time in the library. So I decided by the time I was ten to be an archaeologist, and it was a job I’ve always loved.

Fast forward many years later, and a looter with a metal detector showed up on an archaeological site where I was working with a colleague. When we protested, he pulled a pistol on us. Eventually he left, but at the time, it was really scary. We reported the incident and that was that. Or so I thought.

Months later, I told a friend about this, along with some other “interesting” things that had happened to me and my colleagues in the course of doing fieldwork, and she said that I needed to write it down. Suddenly, that instinct I had as a kid came back. I tried writing a mystery, because I’d always loved them, and after a lot of drafts, and a lot of good, tough criticism, I had a book. That sounds quick but it was a process that about took eight years until the first book came out.

When did you hear that Hallmark was interested in making a movie? What was that like?

site unseen slateDANA: I heard there was interest in optioning the books in late summer of 2016, and we finalized and announced the deal in November. After that, I celebrated and then went back to work, because it’s usually such a long shot that an option will be exercised. And then in February of this year, I got a call from Muse Entertainment that they were developing Site Unseen, most likely for Hallmark Movies and Mysteries; in March, the movie was greenlit, with Courtney Thorne-Smith attached. And in April, I was visiting the sets in Victoria, B.C.!

It all happened so quickly that it didn’t become real until I saw the Maine state flag flying over a Canadian town hall that was standing in for the sheriff’s office and the words “Site Unseen” on the marker! Since then, my feet haven’t left the ground, and I’m given to spontaneous bursts of dancing.

Wow, that is fast! We’d be dancing too! Was that a dream of yours?

DANA: It had been, of course—I think it’s a dream of every writer to see their work performed—but since it’s been about ten years since the most recent book in the series came out, Ashes and Bones, I thought the time was past for Emma to reach an audience in another medium. I spent the time since then writing my urban fantasy series, lots of short fiction, and finishing the historical noir novel based on my Anna Hoyt short stories. So this interest was a real surprise!

When the series started, my goal was to show what real fieldwork was like. With a few notable exceptions (including Elizabeth Peters and Aaron Elkins), a lot of books treat archaeology as merely an excuse for an exotic setting or a source of obsessive characters. I loved teaching, and it had always been a goal of mine to bring some of that to my books, using situations very loosely based on my own experiences. To be able to bring Emma to a wider audience, and know how hard the screen writer, cast, and crew have worked to keep her passion for science and archaeology—and justice—central to the project is absolutely a dream come true!

We couldn’t be happier for you, and can’t wait to tune in on Sunday night at 9/8C!

DANA: Julie, thanks to you and the Wickeds for the chance to chat with you!

The world premiere of “Site Unseen: An Emma Fielding Mystery” is June 4, 9/8C on Hallmark Movies & Mysteries.

Movie Info:
Stars: Courtney Thorne-Smith and James Tupper.

Brilliant, dedicated, and driven, archaeologist Emma Fielding is trying to unearth evidence of a 17th century coastal Maine settlement that predates Jamestown, one of the most significant archaeological finds in years. But the dead body that accompanies it has embroiled Emma and her students in a different kind of exploration.

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Here are some clips from the show:

 

 

The Juggling Act

By Julie, looking forward to a long weekend writing

Dear Readers, do you like hearing about our writing or publication process? If the answer is no, I am so sorry. You’re not going to love this post. But if the answer is yes, buckle up. I’m appointing you all my accountability partners.

I have two books due this year–one on August 1, one on December 1. I spent January plotting them both.  I set up a schedule. I put my plots in Scrivener, and started on the second book in my Theater Cop series (the one due August 1). I hoped for a pre-Malice finish of the first draft. Missed it by a week, but hit it on Sunday. With A Kiss I Die (working title) is clocking in at 75,000 words so far. I am determined to give both manuscripts time to breath, so I can read them with fresh eyes. Trust me when I say this isn’t my norm, so I am happy I met this first self imposed deadline.

Top binder, A CHRISTMAS PERIL, ready for copy edits final round. Bottom binder, WITH A KISS I DIE, ready for first read before I send it out.

Top binder, A CHRISTMAS PERIL, ready for copy edits final round. Bottom binder, WITH A KISS I DIE, ready for first read before I send it out.

What I neglected to add into the schedule was the arrival of copy edits and proof pages. Both have been done for Chime and Punishment, which will arrive in bookstores on August 1. I got the copy edits for A Christmas Peril, my first Theater Cop book, which will be published September 8. They are due next week, and then the proof pages will come in. According to my schedule, the book that is due December 1 should be started soon so that a draft is done while I am working on With A Kiss I Die (working title) edits.

Then there will be launches of Chime and Peril. Two series, two names, one woman.

How lucky am I that I have the great good fortune of juggling all of this? Very, for sure. Even luckier because Liz (aka Cate Conte), Jessie (aka Jessica and Jessica), Sheila (aka Sheila, but with many series), and Edith (aka Maddie) have been down this path before, and I can learn from them. The imagination part isn’t the difficulty. It is the switching gears to the publication process that makes my head spin.

2017 trading cardThis weekend I will be working on the Theater Cop series, books one and two. Here’s the printed copies. Very soon there will be post its, sheets of paper, and highlighter marks marring both manuscripts.

So, dear readers, this is where I need your help. Would you mind if I keep you up to date on this journey over the summer? Will you help keep me honest? I’ll post updates on Twitter and Instagram, let you see how it is going. Next month I’ll tell you the story of the trading card I created, including the picture of me.

I will send you some updates on Instagram and Twitter, and I’ll check back next month.

Dear readers, should we lay odds? Am I going to keep to my writing schedules? Or am I going to go off the rails and be writing for Thanksgiving?

A Wicked Welcome to Cynthia Kuhn!

I’m thrilled to welcome Cynthia Kuhn back to the blog. The second book in the Lila Maclean Academic Mystery series, The Arts of Vanishing, came out this spring. I love academic mysteries–they speak to my years working at different colleges, and the folks I thought about. . . well, that’s another blog post. Welcome back Cynthia!

Books About Books

VanishingAlthough I love all kinds of books, those about books/reading/writing seem doubly satisfying. If you’re like me, always looking for more books about books, perhaps this will come in handy: a brief list of great reads that focus on texts in one way or another.

The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure
by William Goldman
The story about Princess Buttercup and Westley is purportedly the “good parts version” of a much longer history by “S. Morgenstern.” Goldman created a structure in which a fictionalized version of himself discusses what he’s “left out” of the other book in hilarious editorial asides throughout the text (which appear in red print in certain editions and in italics in others…I know this little factoid because my family loved the book so much that we bought various editions to give as gifts…before the film came out, even). It’s simply superb. The asides are just as fabulous as the rest.

Possession by A.S. Byatt
Possession is not focused on a single book—it’s more about a love of writing in many forms, mixed with a blossoming romance (multiple romances, to be precise). Things advance through the discovery of texts (letters, poems, etc.); the main characters are always reading and interpreting things they find, and the past and the present are woven together into one delicious tale.

The Eyre Affair by Jasper Fforde
This book features Thursday Next, a literary detective (what a dream career) who embarks on a case where characters are disappearing from texts. It is something like alternative history meets fantasy meets mystery meets humor and the plot is so creative as to be almost indescribable, but I promise that it’s a very fun read!

Book: A Novel by Robert Grudin
Book is as meta as it gets (metafiction is fiction about fiction: texts that draw attention to themselves as texts). From the title itself to the ongoing encyclopedia entries discussing the history of bookselling throughout to the footnotes that cheekily stage a revolution and so much more, the focus is squarely on bookishness. And it’s an academic mystery, with some delightful satire to boot!

Don Quixote by Miguel de Cervantes Saavedra
Don’t let the “classic” label throw you—although it’s been called the first (modern) novel, this is as readable and hilarious now as it must have been back in the early 1600s when it was written. It’s almost impossible to imagine how Cervantes conceived of writing such a brilliant text, with multiple levels of authorship and playfulness (very meta), without much in the way of predecessors. Not to mention that the unforgettable Don Quixote, Sancho Panza, and Dulcinea del Toboso have become cultural icons.

City of Glass by Paul Auster
This Edgar-nominated book is highly metafictional and complex. The protagonist Daniel Quinn (whose initials are not the only allusion to Don Quixote and that’s not the only name of the main character, either, but for the sake of this discussion, let’s leave it there) is a writer-slash-private-investigator caught up in a mysterious case that bends back upon itself in surprising and compelling ways. His efforts to solve the case raise all kinds of questions about identity, knowledge, and mystery. There’s a graphic novel version too, by Paul Karasik and David Mazzucchelli, that offers a terrific noir-y adaptation.

84 Charing Cross Road by Helene Hanff
This is not fiction but a memoir presenting a series of letters between a bookseller in London and a reader in New York City who become friends over time through their epistolary exchanges. They talk about books and think about books and send each other books/gifts and, well, you’ll have to read it to find out the rest. The film adaptation is incredibly charming and wonderful too (Anne Bancroft and Anthony Hopkins star—case closed).

There are so many more…what are your favorite books about books?

———————

ck2x3Cynthia Kuhn writes the Lila Maclean Academic Mystery series, which includes The Semester of Our Discontent (nominated for an Agatha Award) and The Art of Vanishing. She teaches in Denver and serves as president of Sisters in Crime-Colorado. For more information, please visit cynthiakuhn.net.

Am I Blue?

By Julie, happy that we broke the 60 degree mark, even if was only for a couple of days

The winter blahs are tough to shake here in New England. For a while, I am able to feign being a hearty New Englander. My current work in progress is the second in the Theater Cop series, and it takes place in February. So research brain took note of what it feels like to slip on ice, to haul myself over snowbanks, and to be so cold my bones hurt. But I only need to do so much research. This winter lasted a long time. (It may be back in the 30’s today, so it hasn’t really left yet.)

By the end of March I am done. Done with wearing layers of clothes. Done with my winter shoes. Done with tracking sand/salt/blue stuff into the house. Done with the “is it ice or is it water?” shuffle down sidewalks at night when I walk home from the T. Done with thinking I am stepping into an inch of slush, but it is six inches. Done with the lack of fresh air in the apartment. Done with dry skin, static hair, and achy knees. Just done.

And so April brings the revolt. It starts with not wearing a hat, even if I am cold. (Unless I’m going to a Red Sox game. Then I bring several layers, and use them all by the time I start singing “Sweet Caroline”.) I wear pinks and bright greens. (Scarves only, but it is a step.) I do what I can do to not wear boots and live with wet socks when I misjudge the slush. I crack open a window or two, even though the air is brisk. I refuse to wear the coat that looks like a sleeping bag. I clean, fold and store the long underwear.

But sometimes that isn’t enough. We are in the double digits of April. Spring is flirting with us, but it is playing coy. So I needed to step it up a bit. This is what I came up with:

Julie Hennrikus with blue hair

Am I blue? Looks like!

A bold step, don’t you think? It will wear down a bit, but will still be blue for the Wicked New Hampshire events next week. (More information on the noontime event here, and the evening Nashua Barnes & Noble event here.) And for the Bethesda Barnes and Noble event we’re doing on April 27. And, of course, for Malice. After that, who knows? Will I still be blue?

Or maybe pink. . .

Dear readers, have you made a bold move to shake things up? Let us know!

Thinking Thoughts

By Julie, hoping spring will spring soon in Somerville

Crime thoughtsEarlier this year I went to a book event for The Happy, Healthy Nonprofit: Strategies for Impact without Burnout, a terrific book by Beth Kanter and Aliza Sherman. In my day job, I run a small in size but large in scope nonprofit, so the topic was (is) of great interest to me. One of the steps I have taken since is to meditate for a few minutes every day, a practice that had been recommended for years. Thanks to the Calm app, it has been a very interesting process. I am much more aware–of my feelings, of the weather, of the taste of food, of whether or not I am hungry, of my thoughts in general.

I am a bit alarmed by how often my mind wanders to crime.

I am working on two books this year, and need to keep characters, settings, and crimes separate. I am committed to the cozy genre, so I am looking for crimes off the page, but that leave an impression. I’ve also subscribed to Acorn TV, and am inspired by  British, Australian, and New Zealand “cozy” characters and mysteries. Midsomer Murders, while fitting the genre, is over the top in the crimes (and the acting). I love the heightened reality of that show, Rosemary and Thyme, Mr. & Mrs. Murder, Agatha Raisin, and The Brokenwood Mysteries and other series in that vein.

The wonderful characters, inventive murders, and close knit community settings are my go to these days. But all of these are set in small villages, and I live in a city. I am very much a city girl. But meditation has cleared some of the muddle of my mind, and helped me look at my city with fresh eyes. It has also, as I mentioned, made me aware of where my mind drifts.  I see the small pockets of village life in Somerville, and my imagination kicks in gear. A block of eclectic shops in Union Square, some of which have been there for years, many of which are undergoing facelifts. What stories will those walls tell?  gather here, a place that encourages knitting, sewing, and other crafts. Crafters, as we all know, are a treasure trove of instruments that can be employed in devious ways,  and strong personalities.  Davis Square, the the movie/concert hall in the center of a bastion of wonderful restaurants. Date night gone wrong? The bike path, a lovely place to walk, run, or ride your bike all the way to Bedford. So many mysterious places to explore.

My imagination has been in overdrive. My mind wanders to crime, no matter who I am with. It does make it a bit dicey when folks don’t know I am a mystery writer, and likely puts some folks off. Granted, meditation probably shouldn’t heighten awareness of mysterious pursuits, but it has been a side effect of my new practice. I’m sure I’m not the only person constantly plotting dastardly deeds.

Am I?

Agatha Nominees for Best First 2017

Julie here, hoping this blizzard was the last for New England.

Last year I had the thrill of having Just Killing Time nominated for the Agatha award for Best First Novel. My fellow nominees and I became good friends during the run up to Malice Domestic, and did a small blog tour. Sherry did the same thing the year she was nominated. We’re thrilled to give a wicked welcome to this year’s nominees.

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Today they are going to answer the question who would play the main characters in the movie or TV show made from your novel?

Alexia Gordon, author of Murder in G Major (Henery Press)

Gosh, that’s a difficult question. Truthfully, I don’t know. I could see Thandie Newton or Zoe Saldana as Gethsemane. Maybe Richard Harrington (from the Welsh TV series Hinterland) as Eamon. A member of a book club that discussed Murder in G Major suggested Kerry Washington as Gethsemane.

When I watch movies and TV shows I forget (on purpose) who’s “starring” in the role and focus on the character being portrayed. For instance, Hugh Jackman isn’t Hugh Jackman playing Wolverine, he is Wolverine. Hugh Jackman ceases to exist for 120 minutes. Consequently, I’m pretty good with characters’ names but I’m pretty bad with actors’ names. Not what any actor wants to hear but I mean it as a compliment. It takes talent to convince a rational adult that you’re someone who doesn’t really exist.

I have this fantasy of WGBH Boston or BBC America turning my books into a series and holding an open casting call. Hundreds (oh, why not, thousands) of unknowns would line up to audition and the casting directors–the people who cast Midsomer Murders or Agatha Christie’s Hercule Poirot (David Suchet was brilliant as Poirot)–would discover the new “it” actors.

Renee Patrick (Rosemarie and Vince Keenan), author of Design for Dying (Forge)

This is a tricky one. Can we name the 1930s actors who could play our characters instead, because that’s when Design for Dying is set? No? Very well.

Let’s start with Lillian Frost, the toughest casting call for one reason: the role has to be played by an actress good enough to make us believe she’s terrible. It’s Lillian’s lack of skill in front of the camera, after all, that chases her out of pictures. She’s also got to be resourceful, kind, and look stellar in period wardrobe. On second thought, it’s not so tough, especially if you’ve seen Brooklyn. The Oscar-nominated star of that wonderful film Saoirse Ronan would be perfect as a young woman making a new home for herself in a strange and distant place. We know from Captain America that Chris Evans can sport vintage attire, and he’s got the low-key charm of Detective Gene Morrow down pat.

We considered plenty of names to play Lillian’s partner in sleuthing, legendary costume designer Edith Head, and settled on the wild card: pop provocateur Lady Gaga. No, really. It’s not only the resemblance. Gaga has blazed her own trail in show business, developing a distinctive persona and ensuring that everyone knows her name. Just like Edith did decades earlier.

Oh, and the 1930’s version? Priscilla Lane, Dennis O’Keefe, and Mary Astor.

Nadine Nettmann, author of Decanting a Murder (Midnight Ink)

Although a fun question, it’s always a tough one. One of the main characters in Decanting a Murder is Detective Dean, who I describe as tall with slicked back blond hair. While I didn’t have a specific actor in mind for this role when I wrote it, I watched some recent work of Mark-Paul Gosselaar and I think he would be great as Dean. I’m also a fan of Jason Lewis, from Sex and The City, as he has the stoic look that Dean carries, as well as Ryan Kwanten from True Blood. Though, I wouldn’t mind a brand new actor to play the part. It’s always great to see new talent.

As for the main protagonist, Katie Stillwell, I purposefully don’t describe her in the book as I want the reader to identify with her and perhaps put themselves in her shoes. So I’ll hold back on any potential actresses and let readers decide who they would like cast in that role.

Cynthia Kuhn, author of The Semester of Our Discontent (Henery Press)

All of the following not only “look” the part but have something else that makes them seem like strong contenders. (The age of the actor may not align perfectly with the age of the character in these choices, but that’s where the magic of the movies comes in, right?) And now, without further ado: for Lila, someone like Sandra Bullock or Jennifer Connelly, who have played strong characters who sometimes fumble (with amusing results) in certain situations; Reese Witherspoon or Kristen Bell for Calista, either of whom could capture the poet’s quirkiness; Paul Rudd has the right blend of earnestness and laid-back vibe for Nate; Michael Ealy seems like a perfect match for the confident and determined Francisco; and Armie Hammer has the charming, smooth qualities of Tad.

Marla Cooper, author of Terror in Taffeta (Minotaur)

I’ve gone back and forth about who I would cast as Kelsey McKenna, but right now Cristin Milioti from How I Met Your Mother and Fargo is my top pick. (I’m sure she’d be thrilled to know that she’s even being considered for the part—ha!) Her deadpan delivery and comic timing won my heart as the Mother in How I Met Your Mother, and I really, really want her to have a role where she doesn’t have a terminal disease.

As for the supporting roles, there’s only one that I can picture perfectly, and that’s Mrs. Abernathy. Now, I’d probably get outvoted because she’s slightly more “mature” than the role calls for, but Susan Sullivan (AKA Castle’s spitfire of a mom) would be the perfect choice to play the Mother of the Bride in Terror in Taffeta. I had so much fun writing the demanding Mrs. Abernathy, and I can perfectly picture Susan Sullivan delivering lines like, “Put your shoes on, girls. This is a wedding, not a hoedown!”

BIOS

Marla Cooper is the author of Terror in Taffeta, an Agatha and Lefty nominee for Best First Mystery and book one in the Kelsey McKenna Destination Wedding Mysteries. Her second book, Dying on the Vine, is set in the California wine country and comes out April 4. As a freelance writer, Marla has written all sorts of things, from advertising copy to travel guidebooks to the occasional haiku, and it was while ghostwriting a guide to destination weddings that she found inspiration for her series. Originally hailing from Texas, Marla lives in Oakland, California, with her husband and her polydactyl tuxedo cat. Learn more at www.marla-cooper.com.

Alexia Gordon has been a writer since childhood. She continued writing through college but put literary endeavors on hold to finish medical school and Family Medicine residency training. Medical career established, she returned to writing fiction. She completed SMU’s Writer’s Path program in Dallas, Texas. Henery Press published her first novel, Murder in G Major, book one of the Gethsemane Brown mysteries, in September 2016. Book two, Death in D Minor, premiers July 2017. A member of Sisters in Crime, Mystery Writers of America, International Thriller Writers, and the Writers’ League of Texas, she listens to classical music, drinks whiskey, and blogs at www.missdemeanors.com. AlexiaGordon.net

Cynthia Kuhn writes the Lila Maclean Academic Mystery series, which includes The Semester of Our Discontent and The Art of Vanishing. She teaches English at MSU Denver and serves as president of Sisters in Crime-Colorado. For more information, please visit cynthiakuhn.net.

Nadine Nettmann, a Certified Sommelier through the Court of Master Sommeliers, is always on the lookout for great wines and the stories behind them. She has visited wine regions around the world, from France to Chile to South Africa, but chose Napa Valley as the setting for her debut novel, Decanting a Murder. The next book in the Sommelier Mystery Series, Uncorking a Lie, releases in May 2017. Chapters are paired with wine recommendations. NadineNettmann.com

Renee Patrick is the pseudonym of married authors Rosemarie and Vince Keenan. Rosemarie is a research administrator and a poet. Vince is a screenwriter and a journalist. Both native New Yorkers, they currently live in Seattle, Washington.