Those 70’s Shows

I’m going to give you a little test.

What do Barnaby Jones, Frank Cannon, and Jim Rockford have in common?

How about Theo Kojak, Mike Stone, and Sam McCloud?

Can you hum the theme song from Cannon?

I have rediscovered parts of my childhood on METV. 70’s cop shows. Quinn Martin productions. I was young when these were on first run, and I didn’t understand them, but I watched them. Some of them covertly. I watched others with my grandparents. As I rewatch them now on this retro TV station, I think about the impact they must have had on my then forming mystery writer’s brain.

T5_frisco-qm_zps9c038dcehe formula. The 70’s didn’t have story arcs on shows, for the most part. Sure, Quincy may date someone for a couple of episodes. But generally, what happened in an episode stayed in an episode. And as a viewer, I expected that. What I learned: Stories need to be contained. What I had to unlearn: Story arcs are a good thing, and not everything gets tied up in a bow.

Where are the women? Watching these shows with a 2014 world view, I am really struck by the lack of women, and almost complete absence of people of color. In too many ways, little has changed over the past forty years, but when you watch the opening credits of Cannon, and every guest star is a white man, it gives one pause. And watching Frank Cannon hitting on a young woman does not age well. What I learned: The world has changed, a bit. What I have to unlearn: That the norm doesn’t have to have white men as the heroes.

Mystery matters. The shows that aged the best (IMHO) are the ones that pay attention to the mystery. Not all do–sometimes the “bad” guy is clear from the beginning, and catching them is the story. But others spend time setting up the mystery, and it still pays off all these years later. See Columbocolumbo as a prime example. Murder She Wrote (80’s, not 70’s) also stands up. As does Perry Mason. 50’s, not 70’s, but still oh so wonderful.  What I learned: My preference for traditional/cozy mysteries dates back to those days. Columbo remains a favorite. What I had to unlearn: When the story isn’t working, adding a plot twist out of no where doesn’t satisfy. And that playing it safe isn’t fun.

Secondary characters mean more and more. As I am working on my own series, and building a town and a cast of characters, I have been thinking a lot about secondary characters. And what role they play in overall stories. Over the course of a series, are some characters off limits for major story lines? Interesting to watch a show build up those secondary characters over the course of a series, and deal with changes. And also deal with how much we see them. Rocky is a great secondary character on The Rockford Files, but he isn’t in every episode. But what would Perry Mason be without Della and Paul? And Remington Steele benefited from the appearance of Mildred.

Watching old detective shows is a great way to pass the time, and to consider their effect on me as a writer. How about you? Any fond memories of those days? Any guesses on the quiz?

This entry was posted in Julie's posts by J.A. Hennrikus/Julianne Holmes. Bookmark the permalink.

About J.A. Hennrikus/Julianne Holmes

J.A. (Julie) Hennrikus writes the Clock Shop Mystery Series under the name Julianne Holmes. JUST KILLING TIME, the first in the series, was published in Oct 2015 and was nominated for a BEST FIRST NOVEL Agatha award. CLOCK AND DAGGER was released in August 2016. CHIME AND PUNISHMENT will be released in August 2017. Julie's Theater Cop series will debut in the fall of 2017. A CHRISTMAS PERIL is the first in this series about an ex-cop who runs a theater company. wears two hats. Her short stories have been published by Level Best Books: “Tag, You’re Dead” in THIN ICE, “Her Wish” in DEAD CALM, and “The Pendulum Swings, Until It Doesn’t” in BLOOD MOON. Julie is an arts administrator and arts advocate. She tweets her writing life as @JHAuthors, and her other life as @JulieHennrikus. She is an avid theater goer and a member of Red Sox nation. Her website is jahennrikus.com, and she blogs with WickedCozyAuthors.com and KillerCharacters.com.

6 thoughts on “Those 70’s Shows

  1. What great memories, and what great lessons, Julie. I loved Columbo, although I watched virtually no television in the seventies – I was in college, and then in Japan, and then in grad school.

  2. I loved Rockford, though I think I watched it mostly in the 80s in reruns. I haven’t seen an episode in ages. Now you’ve made me curious about how they stand up. But then, how could you not want to see Jim Garner again?

  3. I also loved Rockford! Jim Garner was just so darn likeable. Your comments about the lack of women makes me recall Police Woman. That show, from what I understand, resulted in a boost of women applying to police departments. The power of fiction in real life.

  4. I admit that the Quinn Martin productions were enjoyable ways to pass the time.Let me bring up one:Dan August…Burt Reynolds before he became a caricature of himself. Ah, to be young!

  5. I loved all those shows, especially The Rockford Files. Jim Garner and that trailer of his… looked like Malibu or somewhere close??? I loved those scenes at the trailer. Don’t know why. Just did. Great!

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